Description

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The 2018 Netflix series Altered Carbon is a vital contribution to the cyberpunk renaissance, among such titles as Snowpiercer or Blade Runner 2049. This collection of new essays answers the question: is this increasing popularity of cyberpunk a sign of recognition of the genre's transgressive aspects, such as a stark critique of capitalism, or is it the opposite--a sign of the genre's failure to successfully criticize modernity?

The contributors consider the series as taking on current issues, from a critique of neoliberalism, through the ethical aspects of biotechnology, up to thanatology. They provoke questions about what it means to be human in a world in which death does not exist. Essays evaluate the surging popularity of the series and cyberpunk at large from a variety of critical perspectives, shedding new light on a challenging and inventive series.

About the Author

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Aldona Kobus is a professor in the department of cultural studies at Nicolaus Copernicus University in Toruń, Poland. She specializes in fan studies, popular culture studies and research concerning women's authorship. Lukasz Muniowski (Ph.D., American literature, University of Warsaw) has written numerous academic articles on various topics, including gentrification, geek culture, American literature, video games and television series. He lives in Poland.