Description

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In this book, Kenneth LaFave guides readers past Bernstein's famously tortured personal problems and into the clarity and balance of his Serenade after Plato's Symposium for Violin and Orchestra, the intense drama of his music for On the Waterfront, the existential cosmography of his three symphonies, and his vibrant works for the musical stage.

About the Author

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Kenneth LaFave, former music critic for the Arizona Republic and the Kansas City Star, composes, teaches, and writes about music. The Phoenix Symphony, the Chicago String Quartet, and the Kansas City Chorale have commissioned scores from him, and his essays and reviews have appeared in NewMusicBox.org, Opera News, and Dance magazine. LaFave was a pit musician for the workshop production of Leonard Bernstein's last (unfinished) musical, The Race to Urga.